In The Shadows of Mary Seacole

After setting the style and look of the film in Baselight, colourist Robin Doelly called into play several of the Baselight’s keyers and unique software solutions to assist with challenges on some of the interviewees who were filmed against daylight windows. The online was then completed in Avid Symphony, again by Robin, making use of the Avid Baselight renderless workflow.
The Audio was mixed by Nag Kirinde in Pro Tools 12 making extensive use of Izotope RX4 noise reduction plug-ins.